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In this episode, Shelley reflects on an interview from 1991 that covers the topic of racial identity. Which is the correct terminology? Black? African-American, People of Color? The interview also discusses class differences among Blacks. Be advised that this episode contains frank discussions about race and uses the n-word. Listener discretion is advised. Season Two: Episode 06 Life After Life In Prison Today’s episode features a 1993 interview with Julius Davis, a man who had just spent 19 years in prison. At 21 years of age, he had been handed two life sentences for his involvement in two separate murders. Julius discusses how prior to his crimes, he was involved as a positive influence in his community and how two bad decisions led him to prison. While in prison, however, Julius did not fall victim to negative influences. He created a circle of constructive people who kept their spirits in a positive place and made the best of the prison experience. Listen and hear how he continued his positive influence on the community after his release. Click An Icon Below To Listen To Shelley's Plumbline Podcast Follow us and continue the conversation on Facebook , Instagram , and LinkedIn . InsideOut In 2007, Dr. Shelley Stewart produced InsideOut, a powerful 26-minute film that presents a clear message to young people, inspiring students to see graduation as the doorway to the rest of their lives. In the film, inmates from two maximum-security prisons deliver their compelling stories directly to students ... from the InsideOut.InsideOut is a powerful 26-minute film that presents a clear message to young people, inspiring students to see graduation as the doorway to the rest of their lives. In the film, inmates from two maximum-security prisons deliver their compelling stories directly to students ... from the InsideOut. To date, InsideOut has touched the lives of more than 15 million parents, teachers, students and communities throughout the United States and Canada. Shelley Stewart_InsideOut Clip Play Video InsideOut Watch Now Share Whole Channel This Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Share Channel Info Close Order A Copy Of InsideOut Today! Shop Now Prisoners Have A Message To Our Youth Play Video All Videos Articles Read More Read More Read More Read More Read More Read More Upload

Shelley's Plumbline is a podcast that leads us in a search for the truth on tough social topics. The podcast is hosted by Dr. Shelley Stewart. WELCOME TO SEASON 13! Radio Hall of Fame Announces 2025 Inductees. Click To Read More. The Oldest Podcaster in The United States Welcome to the Plumbline JOIN OUR SEARCH FOR TRUTH In construction, a plumbline is a weight suspended from a string used as a tool to find the true reference line. A plumbline will always find the vertical axis pointing to the center of gravity, ensuring everything is right, justified, and centered. Pulling from a library of more than 3,000 shows from his storied career in broadcasting, Shelley's Plumbline leads us in a search for the truth, opening the channels of communication and understanding on tough social topics that are as relevant today as they were 40 years ago. Join us as we explore the past, compare it to today, and craft a better future. Listen to this week's episode "I will never allow my personal agenda get in the way of common sense." Dr. Shelley Stewart Upload Click An Icon Below To Listen To Podcast BUSINESS & SPEAKING ENQUIRIES EVENTS PRESS PR & PODCAST ENQUIRIES

Season 3: SEASON 3: EPISODE 1 Rare Speech of Dr. Martin Luther King, Jr. SEASON 3: EPISODE 2 Yvonne Turner: On of Human Rights True Shero SEASON 3: EPISODE 3 Shelley's 89th Birthday SEASON 3: EPISODE 4 Uncovering the Movement: An Interview with N. H. Fireball Smith SEASON 3: EPISODE 5 Dr. Vincent Harding Discusses The True Meaning of the Struggle SEASON 3: EPISODE 6 James Armstrong and His Story of the Integration of Graymont School SEASON 3: EPISODE 7 An Interview with Tommy Wrenn, Foot Soldier in the Movement SEASON 3: EPISODE 8 Yvonne Willie Author of the Boy Who Didn't Want to Be Black SEASON 3: EPISODE 9 Mayor Ford Talks About Redistricting in the 90s SEASON 3: EPISODE 10 An Open Forum Discussion on William Raspberry, Racism and Economic Power Click An Icon Below To Listen To Shelley's Plumbline Learn More Book For Speaking Engagements

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Listen to Season 2 Now We've got new content for you every Wednesday. Make sure you subscribe! Follow us and continue the conversation on Facebook , Instagram , and LinkedIn . SEASON TWO: EPISODE 10 The Plantation Ghost Today Shelley shares an interview from 1995 with Ezekwa Abdullah. Ezekwa argues that Blacks still repress themselves and suffer a form of psychological slavery in the collective subconscious psyche because attitudes of repression have been preserved and passed from one generation to the next. The ghost of the plantation exists today because not enough has been done to condemn this point of view. View Episode 10 Details & Resources Click An Icon Below To Listen To Podcast Recently Aired SEASON TWO: EPISODE 10 The Plantation Ghost Today Shelley shares an interview from 1995 with Ezekwa Abdullah. Ezekwa argues that Blacks still repress themselves and suffer a form of psychological slavery in the collective subconscious psyche because attitudes of repression have been preserved and passed from one generation to the next. The ghost of the plantation exists today because not enough has been done to condemn this point of view. View Episode 10 Details & Resources SEASON TWO: EPISODE 9 Free By Choice Inmates Share Their Stories Today, Shelley replays an interview from the Free By Choice program, which brought inmates from Alabama prisons on the air to speak openly about their crimes and the decisions which led to them. These Free By Choice inmates had a strong desire to share their stories so their suffering could serve to help others avoid making the same mistakes. View Episode 9 Details & Resources SEASON TWO: EPISODE 8 The Persistent Problem of Colorism Today, Shelley reaches back into his archive to an interview with Mariam McClendon. They discuss colorism, that is, the differences in perception between light- and dark-complected blacks and the challenges darker-complected blacks encounter – even from members of their own race. Even though the interview is from 1991, the problem of colorism still exists today, hindering relationships and opportunities among blacks. View Episode 8 Details & Resources SEASON TWO: EPISODE 7 From Running Track to Running Drugs: An Interview with Orlando Jones Today’s episode of Shelley’s Plumbline features an interview from 1989 with Orlando Jones, a one-time track star at the University of Alabama. Orlando shares his story of how he went from running on a track as an All-American scholarship athlete to running drugs across the border in Mexico, eventually getting caught and landing in prison. He shares his message in the hope that others might avoid his fate. View Episode 7 Details & Resources SEASON TWO: EPISODE 6 Life After Prison:An Interview with Julius Davis Today’s episode features a 1993 interview with Julius Davis, a man who had just spent 19 years in prison. At 21 years of age, he had been handed two life sentences for his involvement in two separate murders. Julius discusses how prior to his crimes, he was involved as a positive influence in his community and how two bad decisions led him to prison. While in prison, however, Julius did not fall victim to negative influences. He created a circle of constructive people who kept their spirits in a positive place and made the best of the prison experience. Listen and hear how he continued his positive influence on the community after his release. View Episode 6 Details & Resources SEASON TWO: EPISODE 5 I Love The Skin I'm In In this episode, Shelley reflects on an interview from 1991 that covers the topic of racial identity. Which is the correct terminology? Black? African-American, People of Color? The interview also discusses class differences among Blacks. Be advised that this episode contains frank discussions about race and uses the n-word. Listener discretion is advised. View Episode 5 Details & Resources SEASON TWO: EPISODE 4 The Evolution of Black Media, Part 2 Today we continue exploring the Evolution of Black Media and the role Black radio stations played during the Civil Rights Movement of the 60s. We explore how the Black population began to look to popular disc jockeys such as Jack Gibson, Gertrude Cooper, Georgie Woods, Martha Jean “the Queen,” and the Plumbline’s very own Shelley “The Playboy” Stewart to hear coded messages regarding protests and demonstrations. Black Radio stations gave a voice to Dr. King and other prominent members of the Movement and became the medium of choice for disseminating urgent messages and direction. View Episode 4 Details & Resources SEASON TWO: EPISODE 3 The Evolution of Black Media, Part 1 This week we kick off the first of a two-part series on the Evolution of Black Media. In this episode, Shelley tells us about the early days of Black Media and how much of the entertainment for black audiences was produced by whites. Amos N Andy, for example, a well-known radio sitcom, was produced and performed by two white actors. Shelley recalls how the first black man in radio, Jack Cooper, blazed a trail in 1929, and by the time Shelley created his Playboy persona, he wasn’t interested in entertaining just blacks; he used the power of music to bring people together. View Episode 3 Details & Resources SEASON TWO: EPISODE 2 Finding Musical Talent on the Chitlin' Circuit Today we continue telling the story of Shelley’s life in the world of music as he reflects on his days traveling the south on what was known as the Chitlin' Circuit. As a talent agent for Shelby Singleton Productions, Shelley traveled the Chitlin Circuit searching for talent that played in small towns throughout the South. He would then take the talent to big cities to cut records and get exposure. He discovered Clarence Junior Lewis, who went by the stage name “CL Blast” Shelley discovered Willie Hightower and Johnny Adams. He managed The Dynamic Soul Machine and helped launch the career of JV Jenkins, who performed a moving rendition of Peace in the Valley at the inauguration of Birmingham’s first black mayor, Richard Arrington. Listen in as Shelley shares music, insights, and inside stories about his life on the “Chitlin' Circuit.” View Episode 2 Details & Resources SEASON TWO: EPISODE 1 Eddie Kendricks' Last Interview View Episode 1 Details & Resources Today, we’ll begin an exploration of Shelley’s fascinating life in the music world. Over the course of his career, Shelley worked with many major names in music, such as Jackie Wilso n, Aretha Franklin , Wilson Pickett , and The Temptations . And he became fast friends with musical giants such as Bobby "Blue" Bland , Otis Redding , and Isaac Hayes . We’ll hear a clip of his interview with Eddie Kendricks , a lead singer with The Temptations. The interview traces the evolution of The Temptations, and discusses the surprising strategies of Barry Gordy and Motown Records and how they would manage the careers of groups, giving hit songs to certain groups to increase their popularity and accelerate their careers. Shelley Stewart LISTEN Season One Episode 1: Internalized Racism Season One Episode 2: Did Dr. Martin Luther King's Dream Become A Nightmare? Season One Episode 3: Homelessness Season One Episode 4: Hate Crimes Season One Episode 5: Is There A Need For HBCUs? Season One Episode 6: Should We End Black History Month? Season One Episode 7: Y outh Gangs & Drug Dealers Season One Episode 8: Part 2 Of Youth Gangs & Drug Dealers Season One Episode 9: Part 3 Of Youth Gangs & Drug Dealers Season One Episode 10: Interview With Jim Porter, Former NRA President Listen Upload EMAIL: CORLETTE@SHELLEYSPLUMBLINE.COM PR & PODCAST ENQUIRIES BUSINESS & SPEAKING ENQUIRIES PRESS EVENTS

Today we continue exploring the Evolution of Black Media and the role Black radio stations played during the Civil Rights Movement of the 60s. We explore how the Black population began to look to popular disc jockeys such as Jack Gibson, Gertrude Cooper, Georgie Woods, Martha Jean “the Queen,” and the Plumbline’s very own Shelley “The Playboy” Stewart to hear coded messages regarding protests and demonstrations. Images Sources: CBS 1942, Jim Crow Museum, Radio Hall of Fame, and Shelley Stewart Ain't Gonna Let Nobody Turn Me Around (Live) [feat. The Eubie Blake School Choir] The Eubie Blake School Choir 00:00 / 01:57 Season Two: Episode 04 The Evolution of Black Media, Part 2 Today we continue exploring the Evolution of Black Media and the role Black radio stations played during the Civil Rights Movement of the 60s. We explore how the Black population began to look to popular disc jockeys such as Jack Gibson , Gertrude Cooper, Georgie Woods , Martha Jean “the Queen ,” and the Plumbline’s very own Shelley “The Playboy” Stewart to hear coded messages regarding protests and demonstrations. Black Radio stations gave a voice to Dr. King and other prominent members of the Movement and became the medium of choice for disseminating urgent messages and direction. Shelley Stewart, WAOK Books Black-oriented radio emerged after World War II. Full time programming from sun-up to sun-down; blues, spirituals, rhythm and blues replaced jazz as the primary form of music. These improvising "street rapping" Disc Jockeys dominated the airwaves. Welcome to Black Radio...Winner Takes All! View More After World War II, when thousands of African Americans left farms, plantations, and a southern way of life to migrate north, African American disc jockeys helped them make the transition to the urban life by playing familiar music and giving them hints on how to function in northern cities. These disc jockeys became cultural heroes and had a major role in the development of American broadcasting. This collection of interviews documents the personalities of the pioneers of Black radio, as well as their personal struggles and successes. The interviewees also define their roles in the civil rights movement and relate how their efforts have had an impact on how African Americans are portrayed over the air. View More One of the most innovative and ambitious books to appear on the civil rights and black power movements in America, Just My Soul Responding also offers a major challenge to conventional histories of contemporary black and popular music. Brian Ward explores in detail the previously neglected relationship between Rhythm and Blues, black consciousness, and race relations within the context of the ongoing struggle for black freedom and equality in the United States. Instead of simply seeing the world of black music as a reflection of a mass struggle raging elsewhere, Ward argues that Rhythm and Blues, and the recording and broadcasting industries with which it was linked, formed a crucial public arena for battles over civil rights, racial identities, and black economic empowerment. View More As a five-year-old in Home-wood, Alabama, Shelley Stewart watched his father kill his mother with an axe. Two years later, Stewart escaped the care of abusive relatives, making a living as a stable hand. A stint in the army led to electroshock treatments for trying to integrate whites-only dances. But despite numerous setbacks, he never gave up his will to succeed. Eventually, odd jobs at radio stations laid the foundation for a 50-year career in broadcasting. View More Photos of The Plumbline's Host, Dr. Shelley Stewart Scroll/Click Arrow To View Photos Click An Icon Below To Listen To Shelley's Plumbline Podcast Dive Deeper The University of Arizona The Evolution of Black Representation on Television February 21, 2022 Television has served as "a primary source of America's racial education," says UArizona scholar Stephanie Troutman Robbins. Q: What are the main ways that TV's depiction of Black people has changed over time? A: Early television really reflected a very narrow representation of non-white characters. And a lot of the earlier characters were caricatures and racist depictions in many ways. And then as time goes on, we start to see more Black folks and we start to see them move from peripheral or secondary characters into primary focus. But for a while in television, you had extremes. You had the Black criminal stereotype and all the negative tropes associated with Blackness on the one hand, and then you had good, assimilating, respectable Black characters on the other. In the '80s, "The Cosby Show" depicted a Black affluent family who were different from the way that Blacks were mostly portrayed in mainstream TV at the time. Read More Read More National Museum of African America History & Culture Defending Freedom, Defining Freedom Blackface: The Birth of An American Stereotype Historian Dale Cockrell once noted that poor and working-class whites who felt “squeezed politically, economically, and socially from the top, but also from the bottom, invented minstrelsy” as a way of expressing the oppression that marked being members of the majority, but outside of the white norm. Minstrelsy, comedic performances of “blackness” by whites in exaggerated costumes and make-up, cannot be separated fully from the racial derision and stereotyping at its core. By distorting the features and culture of African Americans—including their looks, language, dance, deportment, and character—white Americans were able to codify whiteness across class and geopolitical lines as its antithesis. Make sure you check out their collection at https://shorturl.at/btTV3 Doug Battema Pictures of a Bygone Era: The Syndication of Amos ‘n’ Andy, 1954-66 Abstract This article seeks to raise questions about historiographical practice, challenge the reliance on apparently stable discourses of nation and race within contemporary historiography, and expand understanding of the potential and multiple sites of influence in which television operated during its early years as a popular medium. Drawing on principles articulated by Foucault and de Certeau about the production and generation of knowledge, the article critiques previous historical examinations of Amos ‘n’ Andy for overlooking salient features of the television program's cultural and industrial context, as well as its syndication run from the mid-1950s to the mid-1960s. Using information about the syndication of Amos ‘n’ Andy gleaned principally from entertainment and advertising trade journals, the article points out how a more thorough understanding of the local, regional, and international context and of industrial practices may prove essential for recognizing possibilities about the patterns and circulation of cultural beliefs and historiographical norms. Battema, D. (2006). Pictures of a Bygone Era: The Syndication of Amos ‘n’ Andy, 1954-66. Television & New Media, 7(1), 3–39. https://doi.org/10.1177/1527476403253999 . Read More Lanier Frush Holt Writing the wrong: can counter-stereotypes offset negative media messages about African Americans? Abstract Several studies show media messages activate or exacerbate racial stereotypes. This analysis, however, may be the first to examine which types of information—those that directly contradict media messages (i.e., crime-related) or general news (i.e., non-crime-related)—are most effective in abating stereotypes. Its findings suggest fear of crime is becoming more a human fear, not just a racial one. Furthermore, it suggests tbat for younger Americans, the concomitant dyad of the black criminal stereotype—race and crime—is fueled more by crime than by race. Holt, L. F. (2013). Writing the wrong: can counter-stereotypes offset negative media messages about African Americans? Journalism & Mass Communication Quarterly, 90(1), 108. Read More Lanier Frush Holt Writing the wrong: can counter-stereotypes offset negative media messages about African Americans? Abstract Several studies show media messages activate or exacerbate racial stereotypes. This analysis, however, may be the first to examine which types of information—those that directly contradict media messages (i.e., crime-related) or general news (i.e., non-crime-related)—are most effective in abating stereotypes. Its findings suggest fear of crime is becoming more a human fear, not just a racial one. Furthermore, it suggests tbat for younger Americans, the concomitant dyad of the black criminal stereotype—race and crime—is fueled more by crime than by race. Holt, L. F. (2013). Writing the wrong: can counter-stereotypes offset negative media messages about African Americans? Journalism & Mass Communication Quarterly, 90(1), 108. Read More Upload

Season 10: SEASON 10: EPISODE 1 Education is Our Greatest Asset. SEASON 10: EPISODE 2 There's a Leak in the Roof. SEASON 10: EPISODE 3 Still Singing the Blues. SEASON 10: EPISODE 4 Discussing Fatherhood with Marlon Keller. SEASON 10: EPISODE 5 The Unknown Community of Calcis, Alabama. SEASON 10: EPISODE 6 Young, Gifted and Black. A Chat with Artist Erica Chisholm. SEASON 10: EPISODE 7 Sharing Generational Knowledge with Elijah Davis. Click An Icon Below To Listen To Shelley's Plumbline Learn More Book For Speaking Engagements

Season 8: SEASON 8: EPISODE 1 The Immigration Story of George Sarris. SEASON 8: EPISODE 2 George Subira: Teaching Black People to Sell. SEASON 8: EPISODE 3 The Legend of Willie Lynch. SEASON 8: EPISODE 4 Ezekwa Abdullah Discusses Willie Lynch in the Late 90s. SEASON 8: EPISODE 5 "The Colored Doctor," Dr Cashen. SEASON 8: EPISODE 6 The Last Interview with Eddie Kendricks [Rebroadcast]. SEASON 8: EPISODE 7 Internalized Racism [Rebroadcast]. SEASON 8: EPISODE 8 Interview with Hosea Williams: Did the Dream of Dr King Become a Nightmare [Rebroadcast]. SEASON 8: EPISODE 9 Rare Speeches of Dr. Martin Luther King [Rebroadcast]. SEASON 8: EPISODE 10 Hate Crimes [Rebroadcast]. SEASON 8: EPISODE 11 Shelley Reflects on Black History Month and Racism[Rebroadcast]. SEASON 8: EPISODE 12 The Back Porch: Race, Racism and Happiness [Rebroadcast]. SEASON 8: EPISODE 13 Should We End Black History Month? [Rebroadcast]. Click An Icon Below To Listen To Shelley's Plumbline Learn More Book For Speaking Engagements

ABOUT SHELLEY STEWART Media executive Shelley Stewart was born on September 24, 1934 in Birmingham, Alabama to Huell Stewart and Mattie C. Stewart. He graduated from Rosedale High School in Birmingham, Alabama and enlisted in the U.S. Air Force, where he served from 1952 to 1953. After his military service, Stewart returned to Birmingham and was hired by WEDR-AM as a radio personality known as, “Shelley The Playboy.” By 1958, Stewart left Alabama to work for WOKJ-AM in Jackson, Mississippi. In the 1960s, Stewart worked for WENN-AM and served as the on-air voice of the Civil Rights Movement in Birmingham, in 1967, he co-founded Steiner Advertising, now known as O2. In the 1970s, Stewart left WENN-AM and began working at WATV-FM. He and Dr. Erskine Faush went on to acquire WATV-AM, which became the most popular radio station in Birmingham. In 2002, Stewart and Faush sold WATV-AM to Sheridan Broadcasting and Stewart retired from broadcasting the same year. He then founded the Mattie C. Stewart Foundation in 2007, in an effort to reduce the dropout rate and increase the graduation rate of high school students. Stewart also authored two books, The Road South: A Memoir and Mattie C.’s Boy: The Shelley Stewart Story. Stewart was awarded the Footsteps to Freedom Award from the 16th Street Foundation in 1999, the Community Service Award from the National Association of Black Journalists in 2013, the Drum Major of Justice Award from the National Southern Christian Leadership Conference, and the World Conference of Mayors’ Outstanding People of the World Award. Stewart was also named a Pioneer of Radio Inductee by the Smithsonian Institution in 1996, inducted into the Black Radio Hall of Fame, honored as a “Living Legend” by Warner Bros. Records, and recognized by Coca-Cola Bottling Company as one of the top ten most recognized African Americans in the State of Alabama. Stewart and Samford University President Andrew Westmoreland co-founded and lead Birmingham Kitchen Table, and in 2013, he was named alumnus honoris causa one of the university’s highest recognitions for non-graduates, for his role in the civil rights movement and his work in the community. Bio written by The HistoryMakers on May 2, 2017. https://www.thehistorymakers.org/biography/shelley-stewart "KKK Signs Painted on Building - Negro Radio Station Warned 'Get Off the Air and Stay Off'" This is one clipping that is where WEDR, where Shelley Stewart was at, “KKK” was written on WEDR. $5000 worth of vandalism. Ed Estes operated the station at this time, in Pensacola as well, another in Mobile, says “the first trouble he has experienced came, May 17th, when someone cut the support cables on the WEDR tower, causing the $5000 tower to fall to the ground.” Now as we all remember this is the second all black staffed radio station in the United States. “Estes offered a $1000 reward for the conviction. Engineers who checked the tower periodically told Estes on several occasions they’d found dead dogs with their throats cut at the base of the tower.” These are just horrible Klan activity. This was May 3rd, 1958. Read More Click on photos to view more. “Testimonials provide a sense of what it's like to work with you or use your products. Change the text and add your own." Alexa Young, CA All Videos All Videos Play Video Share Whole Channel This Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Search videos Search video... Now Playing How Colorism Affects People Around the World | Oprah's Lifeclass | Oprah Winfrey Network 02:27 Play Video Now Playing Study shows how children view race bias 05:19 Play Video Now Playing Shelley Stewart_InsideOut Clip 02:06 Play Video Now Playing Worst Day Ever - A Message From Inmates 00:29 Play Video Shelley's Story Mattie C.'s Boy Shelley Stewart was five years old when he and his brothers watched in horror as their father murdered their mother with an ax. Homeless at the age of six, Stewart found what shelter he could, suffering physical and sexual abuse and racism. Despite heartbreaking setbacks and the racial strife that gripped the South in the 1950s and 1960s, Stewart graduated high school and entered the broadcasting profession. There he became a hugely popular radio personality, rubbing shoulders with the top recording artists of the day and becoming one of the nation’s first black radio station owners. He helped Dr. Martin Luther King mount the historic Children’s March through the streets of Birmingham, Alabama. Later Stewart would use his powerful communication skills to help convict one of the men who bombed the city’s Sixteenth Street Baptist Church. Then this often-honored man turned his business skills to the creation of a foundation named after his mother; the Mattie C. Stewart Foundation works to convince high school students to stay in school and graduate, a topic Stewart speaks on in his many engagements around the country. Stewart, with author Don Keith, tells his story in his memoir Mattie C.'s Boy. Purchase The Road South As a five-year-old in Home-wood, Alabama, Shelley Stewart watched his father kill his mother with an axe. Two years later, Stewart escaped the care of abusive relatives, making a living as a stable hand. A stint in the army led to electroshock treatments for trying to integrate whites-only dances. But despite numerous setbacks, he never gave up his will to succeed. Eventually, odd jobs at radio stations laid the foundation for a 50-year career in broadcasting. As an African-American radio personality, Stewart reached out to Jim Crow Alabama, using music to integrate his audience. Along the way, he helped launch the careers of such legends as Otis Redding, Isaac Hayes, and Gladys Knight. Instrumental in the Civil Rights Movement, he publicized the words of Dr. Martin Luther King, Jr. A remarkable witness to and participant in the momentous social changes of the last three decades, Stewart, now a successful businessman and community leader, shares his courageous personal story that shows the indomitable strength of the human spirit. Purchase Also, Available On Audible

Shelley's Story Mattie C.'s Boy Shelley Stewart was five years old when he and his brothers watched in horror as their father murdered their mother with an ax. Homeless at the age of six, Stewart found what shelter he could, suffering physical and sexual abuse and racism. Despite heartbreaking setbacks and the racial strife that gripped the South in the 1950s and 1960s, Stewart graduated high school and entered the broadcasting profession. There he became a hugely popular radio personality, rubbing shoulders with the top recording artists of the day and becoming one of the nation’s first black radio station owners. He helped Dr. Martin Luther King mount the historic Children’s March through the streets of Birmingham, Alabama. Later Stewart would use his powerful communication skills to help convict one of the men who bombed the city’s Sixteenth Street Baptist Church. Then this often-honored man turned his business skills to the creation of a foundation named after his mother; the Mattie C. Stewart Foundation works to convince high school students to stay in school and graduate, a topic Stewart speaks on in his many engagements around the country. Stewart, with author Don Keith, tells his story in his memoir Mattie C.'s Boy. Purchase The Road South As a five-year-old in Home-wood, Alabama, Shelley Stewart watched his father kill his mother with an axe. Two years later, Stewart escaped the care of abusive relatives, making a living as a stable hand. A stint in the army led to electroshock treatments for trying to integrate whites-only dances. But despite numerous setbacks, he never gave up his will to succeed. Eventually, odd jobs at radio stations laid the foundation for a 50-year career in broadcasting. As an African-American radio personality, Stewart reached out to Jim Crow Alabama, using music to integrate his audience. Along the way, he helped launch the careers of such legends as Otis Redding, Isaac Hayes, and Gladys Knight. Instrumental in the Civil Rights Movement, he publicized the words of Dr. Martin Luther King, Jr. A remarkable witness to and participant in the momentous social changes of the last three decades, Stewart, now a successful businessman and community leader, shares his courageous personal story that shows the indomitable strength of the human spirit. Purchase Also, Available On Audible

Today’s episode of Shelley’s Plumbline features an interview from 1989 with Orlando Jones, a one-time track star at the University of Alabama. Orlando shares his story of how he went from running on a track as an All-American scholarship athlete to running drugs across the border in Mexico, eventually getting caught and landing in prison. He shares his message in the hope that others might avoid his fate. Season Two: Episode 07 From Running Track to Running Drugs: An Interview with Orlando Jones Today’s episode of Shelley’s Plumbline features an interview from 1989 with Orlando Jones, a one-time track star at the University of Alabama. Orlando shares his story of how he went from running on a track as an All-American scholarship athlete to running drugs across the border in Mexico, eventually getting caught and landing in prison. He shares his message in the hope that others might avoid his fate. "Nobody makes it alone." - Oprah Winfrey Click An Icon Below To Listen To Shelley's Plumbline Podcast Follow us and continue the conversation on Facebook , Instagram , and LinkedIn . Listen To Similar Podcast Episodes Now! SEASON ONE: EPISODE 7 Teenage Gangs In 1989, two gang members from the Birmingham area approached Shelley and asked to be on his show, "Open Mic." They wanted to share their experiences about the myths and realities of gang life and share their regrets over the youth they lost while acting as members of a gang. Ironically, the mother of one of the gang members heard her son on the show and came in the following morning to share her feelings and warnings with other parents. While the nature of gang life has changed between 1989 and 2023, there are a surprising number of things that are still in common. In fact, you might be surprised to discover the backgrounds of many gang members are not what you think. View Episode 7 Details & Resources SEASON ONE: EPISODE 8: Part 2 of Stories From Teenage Gang Members & Drug Dealers Series Today’s episode reaches back to 1986 and was part of a series of interviews Shelley did on Open Mic with drug dealers and youth gangs. This individual had a promising career as a backup drummer for the well-known blues musician Bobby “Blue” Bland. Unfortunately, the lure of easy money pulled him into the world of dealing cocaine, Although he didn’t start dealing drugs until he was 44 years old. He shares stories about how, at that time, cocaine was cut with laxatives and even embalming fluid, and how the cutting agents were often more dangerous than the drug itself. He finishes his story by recounting the death of his cousin and fiance at the hands of three drug users. Stay tuned and learn from his life as we continue this series on youth gangs and drug dealers. View Episode 8 Details & Resources SEASON ONE: EPISODE 9: Part 3 of Stories From Teenage Gang Members & Drug Dealers Series This episode concludes our series on youth gangs and drug dealers with an interview of a young man who began dealing drugs at the age of 16. He was brought into a gang at the age of 10 and exposed to the life of a drug dealer. During that time, he’d seen fellow gang members killed and maimed. He even shares a harrowing description of mutilation that happened to a fellow gang member. Listener discretion is advised. He finally realizes what he missed and what he lost, and he shares a message with other young people. View Episode 9 Details & Resources Shelley Stewart_InsideOut Clip Play Video InsideOut Watch Now Share Whole Channel This Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Share Channel Info Close Order A Copy Of InsideOut Today! Shop Now Prisoners Have A Message To Our Youth Play Video All Videos Shelley's Plumbline It's More Than Just A Podcast Upload